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53rd San Francisco International Film Festival 22 April - 6 May 2010

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FILMS/

THE PEDDLER

El ambulante

Documentaries

Argentina, 2009, 84 minutes

SHOWTIMES

Mon, Apr 26 / 6:30 / PFA / PEDD25P
Sat, May 01 / 12:30 / Kabuki / PEDD01K
Tue, May 04 / 6:30 / Kabuki / PEDD04K

CREDITS

dir
Lucas Marcheggiano, Eduardo de la Serna, Adriana Yurcovich
prod
Adriana Yurcovich
scr
Eduardo de la Serna, Lucas Marcheggiano, Adriana Yurcovich
cam
Pablo Parra
editor
Eduardod de la Serna, Lucas Marcheggiano, Adriana Yurcovich
source
Adriana Yurcovich, Malabia 1550, 1414 Buenos Aires, Argentina. EMAIL: el.ambulante.documental@gmail.com.
web
http://www.elambulantedoc.blogspot.com


CAUSES
The Arts
The Peddler

Daniel Burmeister putts into the village in a beat-up red four-door, looking for the mayor. More prolific than Steven Soderbergh, more resourceful than Orson Welles, the avuncular seventysomething is both a filmmaker for hire and the definitive auteur. In exchange for food and lodging, Burmeister offers to make a movie in less than a month, using local residents as his cast. No contracts, no red tape, no grant proposals in triplicate—just a pitch and a handshake and he’s ready to roll. Choosing one of the half-dozen trusty genre scripts he’s been using for years, Burmeister sets about scouting locations, recruiting “actors” and spreading the word about his project. An act of community as much as a creative venture, the filmmaking process elicits varying degrees of curiosity and commitment. Some of the amateur thespians display remarkable natural ability, while the children are enticed by the lure of reflected glamour (and any escape from the boredom of backwater life). But Burmeister doesn’t trade in false hopes and empty promises; likewise, this endearing, generous portrait is uninterested in the tired clichés of deluded small-town dreams and fleeting fame. We are treated to the start-from-scratch optimism and on-the-fly problem solving that define filmmakers the world over, with Burmeister’s pushed-to-the-limit DIY credo generating delicious moments of inspired absurdity. There truly is nothing like the magic of movies, and as the lights dim in the makeshift theater for the premiere of Let’s Kill the Uncles, our anticipation is as keen as if it were opening night at Cannes.

—Michael Fox

Presented with support from the Consulate General of Argentina, Los Angeles. GGA Documentary Feature Contender. U.S. Premiere.

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